Film Podcast “THEY CAME FROM THE NORTH“ features a uniquely Canadian perspective on the career and canon of renowned filmmakers. Released through DVDVerdict.com and available on iTunes, the podcast is hosted by the diabolical Steve Power (Newfoundland), Jon Mercer (Newfoundland), Andrew Forbes (Ontario), and Gabriel Girard (Montreal).
Each week, these Canucks offer up a hearty discussion regarding the “Good,” the “Bad,” and the “Ugly” from each filmmaker’s body of work:
The “Good” selection is often a film held in the highest esteem, for quality and enjoyment.
The “Bad” selection is more middle of the road, though NOT NECESSARILY bad! It can be a good film, but has some flaws that keep it from greatness. It can also be a film that doesn’t quite fit in with the rest of the canon.
The “Ugly” selection is the true bad selection. It is considered the lesser or least of the director’s films, and can be skewered Mystery Science Theater 3000 style.
For episode #26 of THEY CAME FROM THE NORTH (Podcast #1212 on DVD Verdict) the crew invited me as a special guest, and we had a grand time looking back on Wes Craven’s oeuvre. You can download the podcast here, but BEWARE!—this 2 hour discussion is for movie geeks only:
Join Jon, Steve, Andrew, and special guest Michael McVey as they celebrate and denigrate the life’s work of director/writer Wes Craven. A Nightmare on Elm Street, Shocker, The Scream series, Red Eye, The Hills Have Eyes, The Last House on the Left… what’s not to love?
You can play along at home with IMDB and Youtube pages open, looking up the facts and clips as we go. Here is the infamous “Basketball Scene” from the 1986 cult classic “DEADLY FRIEND”—watch The Goonies‘ Anne Ramsey explode like a watermellon as Kristy Swanson does her Terminator impression:
“The Combover” is a short documentary by and about two underage teenagers who discover a crack in the system – they discover a way to buy beer. I made this with my friend Justin in the year 2000. We were both 19 at the time, bored out of our minds. There wasn’t much for us to do in our hometown of Warwick, New York. Warwick is a beautiful, rural place. It is the Shire to New York City’s Gondor, and <insert New Jersey city here>’s Mordor. But we were restless teenagers trying hard to get beer. We concocted the combover idea one night in Justin’s basement.
We were mulling about, and Justin asked me to shave his head bald. I suggested we mess around with it first, since we’re going to shave it all off anyway. There were lot of possibilities with long hair. Mohawk? Mullet? The “Krusty the Klown” look? “A COMBOVER!” We laughed so damn hard our sides hurt. The combover has got to be the most RIDICULOUS hairstyle of all time, we had to do it. It dawned on us that the combover is the perfect misdirection for buying beer. The question became this: Would a cashier believe a kid-trying-to-look-older-trying-to-look-younger as a man-trying-to-look-younger? Would pity blind the gawkers?
I’ve always been a filmmaker, and I wanted to make it a movie. I got the camcorder my parents gave me in high school, a SONY Handycam Video 8 XR with 180x Digital Zoom. Battle plan ready, I proceeded to cut Justin’s hair, giving birth to a healthy 7 1/2 lb. combover in his parent’s bathroom. I’ll never forget how Mrs. Kipp freaked when she saw what I had done to her son’s head, or how hard we laughed afterwards. It is an All-Time Top Five Laugh for me.
After finding the appropriate wardrobe and accessories (superfluous pipe, check, Mike’s glasses, check), we worked on getting into character. How would a 38-year-old man with a comb-over behave? Naturally, he would be a somewhat pathetic, trying to hold onto his fading youth. He would certainly not like being denied his only comfort in an otherwise lonely existence – that sweet, numbing booze. Whether we got it or not became irrelevant. We were buzzed from the adrenaline of making a film.
What up Korea!
Towards the end of the night, we decided that one more denial would send Uncle Earl into a rage. We already had all the beer we needed, and we didn’t want our video to become redundant. We needed some drama. And when that denial came, Justin snapped in a spectacularly hilarious fashion. Dick move? Sure. Funny? You bet. But I suppose it’s a rorschach blot. Places where drinking laws are similarly Draconian will get the joke. America: the country where a teenager can be sent to war to kill and be killed, but doesn’t have the right to drink until three years after enlisting. Yeah, that makes sense. I withheld this video from public view for years; only a handful of people ever saw it. Now that a decade has past, “The Combover” is finally ready to see the light of day, thanks to New York Statute of Limitations Laws.
I love New York.
This video remains unchanged from the original in-camera edit 10 years ago. When I shot this back in 2000, I really didn’t know any way to edit VHS tapes. I edited simultaneously with shooting, all in-camera. I could review the footage and rewind the tape to find the right cue, or exit point. It was definitely fun to shoot. I particularly love the music in the car. It made us bolder, and gave the shoot a sense of rhythm and time. The album: Pee Wee Ellis’ “Twelve and More Blues,” with Bruce Cox on drums and Dwayne Dolphin on bass. A great album but hard to find, recorded in Köln, Germany – Minor Records, 1993. And again for all you knuckleheads out there, please don’t drink and drive – this is a documentary, not a mandate.
***”My original post of “The Combover” has copyright claims levied against it by predatory ad revenue businesses. They claim 30 seconds of background source music overheard in a supermarket gives them the right to put advertising on my video. I am trying to keep this video advertisement free. This version of “The Combover” is edited, removing said source music and audio of heard in the supermarket scene from 2:25 – 3:02.***