Watch this celebratory video of actress ADRIENNE BARBEAU at Coolidge Corner Theatre’s popular night-owl movie program—Coolidge After Midnight.
Coolidge After Midnight honors actress, singer, and author ADRIENNE BARBEAU at the Coolidge Corner Theatre. The Boston audience was treated to a 35mm film screening of THE FOG (1979), followed by a special award ceremony and Q&A with Ms. Barbeau.
Hosted by Mark E. Anastasio
December 2nd, 2017
Brookline, Massachusetts, U.S.A.
Filmed and edited by Michael McVey.
Video runtime: 39 minutes.
Copyright © 2017 by Michael McVey. All rights reserved.
“88 Questions with Ariadne” By Michael McVey, Skiffleboom.com
Audience surrogate ELLEN PAGE asks a lot of questions in INCEPTION… Here’s a video of all 88.
DVD Verdict’s “Objection” podcast created a list of their MOST BADASS AFRICAN-AMERICAN CHARACTERS IN MOVIE HISTORY for MLK day, 2011 (episode #756). Judge David Johnson and Judge Dan Mancini named their TOP 1o:
Honorable Mention: Billy Dee Williams as Lando Calrissian – Star Wars Episodes 5-6
10. Reginald VelJohnson as Sgt. Al Powell – Die Hard
9. Richard Roundtree as John Shaft – Shaft
8. Samuel L. Jackson as Mace Windu – Star Wars Episodes 1-3
7. Morgan Freeman as Lucius Fox – Batman Begins and The Dark Knight
6. Grace Jones as May Day – A View to a Kill
5. Carl Weathers as Apollo Creed – Rocky 1-4
4. Wesley Snipes as John Cutter – Passanger 57
3. Michael Jai White as Black Dynamite – Black Dynamite.
2. Mr. T as B. A. Baracus – The A-Team
1. Danny Glover as Lt. Mike Harrigan – Predator 2
The gentleman at “Objection” specialize in contrarian a-holery, and offer deliberately restive and hilarious positions on cinematic topics. A fine list, full of both mighty (HARRIGAN!) and unusual (Lucius Fox) choices. Conspicuously absent from the list is THE most BADASS African-American Character in Movie History: Samuel L. Jackson as Jules in “Pulp Fiction”. The role is so iconic, so utterly badass, that the Marine Corp plays his “Ezekiel” speech to fire up Jarheads for deployment.
I personally feel as THE single most BADASS African-American Actor in Movie History, Samuel L. Jackson should be exempt from the list altogether. He’s a given. Like the answer to “who is the greatest basketball player of all time,” there’s just no arguing.
I hereby offer an addendum to the original “Objection” list, taken from my collection.
I am not reusing any of the aforementioned actors, no matter how much I want to. For instance, Carl Weathers is an incredible bad ass in “Action Jackson” (where he jumps 20 feet over a speeding car), but as he was listed by “Objection” for “Rocky”, so I won’t include it.
I am only listing actors once. While Bill Duke was badass in “Commando” and “Pam Grier” is badass in everything, I included only my favorite choice.
I’ve only included movies I’ve seen in full, within the past 10 years (sorry Mario Van Peebles, sorry Billy Blanks). I also don’t include non-human characters (Sorry Michael Dorn)… though formerly human is okay. So please feel free to include your own suggestions in the comments section. And now, without further ado…
THE MOST BADASS AFRICAN-AMERICAN CHARACTERS IN MOVIE HISTORY
Ken Foree as Peter – Dawn of the Dead
Blows away loads of zombies, evil zombie kids. Owns the mall. Does his best buddy a solid. Zombie apocalypse survivor. Badass.
Woody Strode as Draba – Spartacus
Kicks the ass of the future slave rebellion leader. Shows him mercy. Defies class system through ultimate sacrifice, igniting spark in future slave rebellion leader. Ripped as hell. Badass.
Denzel Washington and the entire cast of the 54th Massachusetts Volunteers – Glory
Charge on Fort Wagner – ’nuff said. Badasses, one and all.
Fred Williamson, Jim Kelly, Jim Brown – Three the Hard Way
This hat trick defies description. Badassery abounds.
Keith David as Frank – They Live
Brawls for absurdly interminable length of time with Rowdy Roddy Piper over sunglasses. Uncovers shocking societal truth, immediately enlists in suicide mission. Badass.
Rudy Ray Moore as Dolemite – Dolemite
Kicks at stuntman’s head, misses, and STILL knocks him out cold (presumably by the intense air pressure generated by foot) . Beds every woman in the movie, gets no STDs. Not the smartest idea in the world… but Badass.
Charles S. Dutton as Dillon – Alien 3
Gives one of cinema’s greatest motivational speeches ever. Bare-knuckle boxes alien. While being torn to pieces by xenomorph, asks it: “Is that all you got?” SuperBadass.
Leave your own suggestions!
By Michael McVey, Skiffleboom.com
This is a video edit I made of the Arcade Fire’s Sprawl II (Mountains Beyond Mountains), from their album “The Suburbs.”
I came home from work late last night, caught a new episode of Mad Men at midnight, then stayed up til morning making this. I don’t know what it is about that show that gets me going. The whole things took about nine hours from start to upload, plus a little nap.
A youtube user named StocktoSong loves this album too – StocktoSong also made an Arcade Fire video from the original 1957 Suburba Prelinger footage. It’s interesting to compare and contrast how we both used the footage. We are reworking digitally something edited by hand half a century ago.
The original ephemeral film:
1957’s “In the Suburbs” is a thoughtfully made advertising sales promo film extolling 1950s suburbanites as citizens and consumers. It was produced by On Film, Inc., and sponsored by Redbook Magazine. It can be viewed at http://www.archive.org/details/IntheSub1957
Visit Arcade Fire
Galloping Gertie, 2008
Written and directed by Michael McVey
Bunker Hill Community College 2008 – Elements of Video Production
In 2008, I decided to go back to school and learn filmmaking. I enrolled in video and audio production courses at Bunker Hill Community College, Charlestown, MA. Galloping Gertie was my first video, made for a class called Elements of Video Production. It was an intro course for video basics like 3-point lighting and depth of field. It was a good class, thanks to the learned Professor Pastel and his classic film references. For our final projects, Pastel divided the class into small groups. I was elected our group’s writer/director, and I mustered up a quick little story that used our group as actors and our school as our location.
I’ve included the original storyboards below: I wrote the script on cocktail napkins at a Cambridge, MA music bar called Toad during a friend’s shows. I wrote parts with specific people in mind – with my group members as lead actors, I cast my audio production Professor Palermo, as the Evil Professor.
The shooting day came, but most of the cast and crew didn’t show up for the shoot… so I recast on the spot. With a leading actor vanished from the group, the role of the Agent went to Bunker Hill’s resident AV squad leader, Marcelo Almeida. Professor Palermo was a no-show, and I ended up filling in. If you look at the storyboards, you’ll see the difference, as I drew that role for a big Sydney Greenstreet type.
We shot the whole thing at Bunker Hill over a couple of days in late Fall 2008. We shot on a Canon Elura 85 MiniDV Camcorder and edited it in Final Cut Pro. It didn’t cost a thing, and it was a lot of fun to make — I really had a great time making this goofy little project, and really enjoyed the process, even if the final result is ridiculous.
When comparing the film against the storyboards, you may notice that the fight scene was originally set in a bathroom. Why you ask?
Apparently, we weren’t allowed to film Marcelo on BHCC campus bathrooms. He had landed in some hot water with the campus security earlier in the year. He was working on his own video project – a “re-imagining” of the Casino Royale Trailer. Marcelo brought a toy gun to school to recreate a James Bond bathroom fight. When security walked in on 007 filming fights in school bathrooms, they were not pleased. They confiscated the toy gun, but let him keep the tuxedo. Now that I think about it, that’s probably what caused his lutropublicaphobia.
And it was for these reasons we had to move the bathroom fight scene to a computer lab. We kept computer genius Stephan Brooks’ cameo as “That Guy Who Was Made Uncomfortable,” but it wasn’t nearly as awkward as it should have been. The lesson: stay fluid, especially with comedy.